Bush stares at his phone like he suddenly doesn't understand what it is or how it works or what the symbols on it mean or what the English language even is. Archie's response rings with a sense of finality, of the conversation being finished now that they've all reached this strange, mutual understanding.
He has no clue what to say. Should he say anything? Should he —
He should get up, for starters.
— that done, he looks at his phone again, at the past two messages, and briefly thinks he ought to seek the two of them out. Continue this in person, maybe. It's an important discussion, after all, vital to their... sense of camaraderie, or... something.
Bush looks at the messages again, then types:] For what it's worth, I don't think that would count as a "properly poor decision."
[Just.
Putting that out there.
For reference, and also to let them both know that while he has learned a great deal during the course of this conversation, he is no closer to figuring out how to become a bad example.]
[U G H new text get out of here he's trying to linger back further up in the chain. Stop making him scroll to the bottom.
Except that it does give him pause to ponder.
The academic exercise of being teased (fondly, affectionately, in a way that pricks pleasantly under his ribs) by friends (confusing, terrifying, cherished) is one thing. The absent consideration of... well. The chance to dream fondly in brief hours of sleep about the content of several pieces of this conversation certainly makes it worthwhile.
But.
This is the beginning of properly poor decisions, spelled out with (infuriating non-ghost smileys!!) more than sufficient clarity to be properly understood.]
Archie.
[
Wait, that solves nothing.]
William, honestly.
[Yes. Good. Compellingly argued. They'll see reason now.]
Wouldn't this be the most useful lesson in making poor —
Bush's brow furrows. Is there really a need to continue on with this under the cover of such a silly thing? Whatever Horatio had intended for this conversation to be when he initiated it is all but a ghost now; what they've been left with is a truth Horatio can try to caution his way out of all he likes, but there's an impossibility in coming to un-know a piece of information.
And then comes Archie's reply, another set of words Bush reads a little too far into, thinking the man is scrambling for compromise in the name of satisfaction.
But it isn't just that, is it? The feeling in his chest answers that question like the clear ring of a bell and tells him what hasn't yet been literally spelled out. For Horatio's sake, maybe it should be.]
I don't think it's wise to take half-measures when dealing with feelings, Horatio.
He's missed something, and that requires scrolling back up to scrutinize what he's missed--then, fairly quickly, gives up, because this isn't something he has a matter of hours to agonize over.
This, apparently, is a matter of emotions. More than that, this is a matter of Mr. Archie Kennedy and Mr. William Bush's emotions.
And that's as crucial, surely, as learning to read the wind before it changes. That requires the same actual, sharp attention as sighting before a long shot. It's not the sort of thing that comes in any way naturally to the twists and turns of his brain, but then neither had working the signal books at first.
Clipping a passing midshipman to send his compliments to Mr. Bush and will he please come here is easier than actually typing. Still, actually typing is almost certainly necessary.]
That being the case, I shouldn't think this the proper medium for addressing them, then.
He's rather about to give up on getting anything but a few kisses and maybe a quick tumble next shore leave, when William's text comes in, pointed and entirely correct. The few moments it takes for him to just stare adoringly at the words give enough time, apparently for Horatio to respond.
Well. This wasn't quite a conversation he was prepared to have just yet, but if it happens...
You two gentlemen do know where I'm at.
Alternatively.
Or I suppose I could meet you somewhere.
Maybe it will come to nothing. It might be nice, at least, to get it off his chest and have it aired out between them.
That worked. He feels like his stomach's climbed its way into his throat as a result, but that worked, so it almost cancels out.]
Since you already suggested it, Archie, I think the lieutenant's quarters will do just fine. I'm on my way.
[It's ridiculous, this fluttering nervousness he's suddenly feeling. They're all on the same ship, for God's sake — he's not been far from the lieutenant's quarters this entire time, and Horatio could just be right around the corner.
But something about the closing in of proximity has triggered this response in him. He said it himself: context. Approaching either of them before came as naturally as breathing, but now, in light of this conversation...
William has to remind himself to breathe as he places one foot in front of the other.]
[The absent brush of hands is one thing. The odd stolen kiss is another. The careless abandon of drinking his thoughts quiet just for a little while, tucked somewhere safely away from prying eyes, is yet a third.
Beginning to put words to what it means when Archie's lips twitch or Bush's eyes crinkle, however, seems far beyond capacity.
And yet.
His feet are moving before he's fully finished reading the last sentence. There's William, just a few strides ahead of him. There's the promise that Archie is just beyond the next door. ]
--Mr. Bush. [His fingers catch briefly, entirely unconsciously, at the other man's elbow.] Mr. Kennedy--
[That's still where they start, isn't it? Even if they're about to lock themselves away for something he doesn't understand and doesn't trust will work, they have to start somewhere.]
Archie is at least largely clothed as he waits in the wardroom, though he's letting his jacket and hat hang on a chair while they're at leisure.
"Horatio," he greets with a smile and only a touch of nerves for the uncertainty, "William. Perhaps it's best we block off the door before we begin any conversations?"
Even through the thick fabric of his uniform, Horatio's fingers feel — again, suddenly, in this new light — heavy and electric, and what William is having trouble understanding is how Horatio can mister them both so easily and how Archie can look so relaxed.
He looks between the two of them, then nods without a word and moves to ensure they won't be interrupted by anyone barging in.
Horatio remembers, after all, this old lick of nerves in the corners of Archie's lips. The uncertainty blares out at an uncomfortable level, nearly to the point of finding he can't quite tell if the tension he feels at William's elbow is the other man's nerves or his own sharp tension.
His feet, at least, know how to move toward Archie. His mind stops him short of being unbearably close, barely masked by glancing back toward William at the door.
"Well, then."
Catching hold of the back of a chair might stop his hands from starting to shake with frustration. One can only hope.
And William will seek purchase against the door he's just shut, leaning his full weight against it. This makes him feel better in more ways than one: it's physical support, and further reassurance that if anyone wants to interrupt them, they'll have to go through him.
There's also something reassuring in keeping his distance, for now. Let Horatio be the one to fall into Archie's gravitational pull first.
"I don't think so."
He lifts a hand to fuss at his collar, then drops it away, clasping both behind his back.
"I — I'm anticipating a passionate argument from Mr. Hornblower regarding the numerous reasons why this would be... not a poor decision, but one that would carry with it quite a lot of risk. He's free to make his case, and Heaven knows he has a way with persuasion, but should an opportunity arise in which we'd face considerable less risk, I would be willing. Because things on my end are, well, much the same as on Mr. Kennedy's."
Just minus the poetry of it all.
Cheeks going a little pink, he looks at Horatio, then at Archie.
Horatio doesn't (can't) claim to be a proper student of human nature, but he flatters himself that he's been learning Archie and William. He studies the pair of them, after all, the way he studies the horizon and the tension in the sails. In the odd moment of peace, he turns thoughts of them over and over, the way he turns over his mental charts and possible counts of whist.
He wants to trust the flicker of hope in Archie's voice. He wants to believe the flush kissing William's cheeks. He wants to trust the flutter in the pit of his stomach to hear--not read, not glean, not surmise--that this (whatever 'this' properly is) is what they want.
But Archie is the 4th lieutenant. But William hadn't been on the Justinian a terrible lifetime ago.
For a moment, he can force himself to properly sharpen his features. With his eyes locked down on the table, he can force his lips into the wry smile he's perfected for his infrequent attempts at properly making jokes.
"It would seem Mr. Bush has spoken my piece for me." Self-deprecation always brings something properly amused to his tone, so he add absently, "And far more eloquently than I could hope to, I'm sure."
What can he do, after all, but repeat the prohibitions they already know? What can he say but words which have already been said a thousand times over (how many Sundays had they shared? how many more Sundays did they have?) and clearly disregarded enough to all be standing here in this room? What could he profess honestly, in the face of gentle, genuine emotion?
In a crisis, Horatio come to trust the odd elasticity of his own mind. It's not quite as easy as reading the motions of a deployment of ships, but there's the same keen quiet in his eyes and clear whirling of his thoughts through a thousand possibilities as he takes a breath. "It isn't--"
It's a mistake, he realizes too late, to glance up at William's face. It's a mistake to allow his gaze to flit back over Archie's features.
"It's--"
They look so close to happiness. For all the loss they've suffered, for all the sacrifices they've made, Archie Kennedy and William Bush look as if they might have struck on something that will give them peace.
And he'll ruin it.
Without ever further opening his mouth, he'll ruin it. He'll drag this glimmer of hope back down into the mess of reality. He'll throw death down in this quiet little room where the men he cares for more than he can say might have found meaning.
Horatio can't remember the last time his voice cracked and trembled as it does now, features furrowing as he ducks his head nearly to the point of pressing his chin to his chest. "If-- anything were to happen to-- either of you--"
There aren't words to follow. There isn't breath in his lungs for them, but they also simply aren't there.
"We could-- die any day on this damnable ship, Horatio. We're in the middle of a bloody war."
Because of course that would be Horatio's concern. Of course, dear man that he is, he'd deny himself this gift out of some misguided attempt at preserving their safety.
Not, of course, that Archie isn't concerned with exactly that. It's just that after the life he's lived-- after the hurt and the shame and the deprivation-- it's impossible for him not to take tight hold and keep what he can.
(Besides, he knows intimately how men turn a blind eye. Even on this ship, there were some things people chose not to see-- and, if all else failed, his own reputation to tarnish and his own neck to offer.
For now, though, William's eyes give him hope, and Horatio's make him brave.)
"And-- you're right. We'd have to be careful, and maybe-- not here, or at least not much, but-- Please." His voice is soft as his gaze drifts with a briefly apologetic smile from William to Horatio. There are older ghosts here than the second lieutenant yet knows, "Horatio, haven't we sacrificed enough for the navy? Hasn't enough been taken from-- from us? Isn't there-- one good thing we can keep for ourselves?"
And then, steady, his eyes turning to William welcomingly (he is not forgotten; not a third wheel but another point on this triangle,) "It's worth it to me, for that chance. You both are."
Although-- and, importantly, his gaze dropping a little nervously as he adds, "If you-- wished it, at any rate."
Edited (I thought he was done I was wrong ) 2017-03-09 19:18 (UTC)
They could die any day, any of them, all of them. To William's mind, that's even more a reason to seize what precious time they have; then again, if this is the sort of thing that might invite danger — and much as men choose not to see certain things here and, sometimes, even on shore, that's not true of all men — then they may be hastening an unpleasant fate.
Maybe not death, but something that may be equally terrifying. Maybe not in Archie's eyes, nor in William's, but in Horatio's, certainly.
Because the thing is, dedicated as they all are to the cause and the crown, our of the three of them, Horatio's passion burns brightest. Horatio's identity is knotted up entirely in his role not just as an officer, but a sailor, period. That's what he is first, above all else. That's his priority, that's how he thinks, that's... what holds his heart most firmly. William knows this. William has, perhaps, already made his peace with it — this knowledge that Horatio could never give himself up entirely to him or to Archie, or to the both of them in some configuration.
After all, this isn't the first time he's had such thoughts. It's just the first time he's surrendering them to the air.
And he's finding that as he speaks, his thoughts — and feelings — clarify themselves further.
To Horatio, though his attention flickers to Archie briefly as he speaks: "I understand the worry. I'd be a fool if I didn't, hardly fit for service." What he doesn't say is such an attitude would be suicidal, but he thinks it, and it sits in his head like a cold weight. "But Archie and I are of the same mind. What if something happens to us with this not acted upon? Wouldn't that be worse?"
Wouldn't it be worse to die with that regret hanging like a shadow on their hearts?
Horatio should know better than to look up. He should know better than to trust himself to meet Archie's eyes when the man says 'please.' Apparently, he doesn't. And maybe, a piece of him nags, that's a good thing. Maybe it's for the best that he sees the earnestness in the question--the certainty when Archie looks across at William. Maybe it's important that sees the understanding that glints in William's eyes.
(What would it be, to give in to that piece of himself? What would it cost, to catch hold of what was being offered so freely and selflessly?)
He tries to speak, attention flitting with the rankle of a cornered animal between the other lieutenants, but words fail him--as they always have.
(What would it be to see Archie happy and relaxed? What would it be to see William comfortable and elated?)
The shake of his head brings him back to himself enough to snap his mouth shut again. A better man would have responded by now. A better man (a man more deserving of this offer of trust and affection) would have at least sorted out what the tangled mess in his mind meant.
The two of them are of the same mind. The two of them are strong and certain. The two of them had managed to speak aloud the profession he hadn't yet been able to articulate.
That look in Horatio's eyes like he's trapped is like a punch to the gut. It has Archie shifting just a little; settling somewhat heavily into a chair. That shake of Horatio's head earns a definitive twist of Archie's lips.
But surely he and William can't be so wrong. He can't help the glance towards the second lieutenant, seeking a sense of certainty, before he moves forward in the conversation again.
"'ratio--" His voice trembles just slightly, and he frowns all the further at the momentary weakness in his tone, "Just-- for my sake, and you don't-- even need to actually say the words, but just-- If the rules weren't in our way, would you-- want this?"
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
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That's it, from the both of them?
Bush stares at his phone like he suddenly doesn't understand what it is or how it works or what the symbols on it mean or what the English language even is. Archie's response rings with a sense of finality, of the conversation being finished now that they've all reached this strange, mutual understanding.
He has no clue what to say. Should he say anything? Should he —
He should get up, for starters.
— that done, he looks at his phone again, at the past two messages, and briefly thinks he ought to seek the two of them out. Continue this in person, maybe. It's an important discussion, after all, vital to their... sense of camaraderie, or... something.
Bush looks at the messages again, then types:] For what it's worth, I don't think that would count as a "properly poor decision."
[Just.
Putting that out there.
For reference, and also to let them both know that while he has learned a great deal during the course of this conversation, he is no closer to figuring out how to become a bad example.]
mwahahaha 1/at least 2
2/3 jk
(Yes, men, you should probably be afraid of where this is going.)
3/5 why this archie
4/5
5/5
....;)
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Except that it does give him pause to ponder.
The academic exercise of being teased (fondly, affectionately, in a way that pricks pleasantly under his ribs) by friends (confusing, terrifying, cherished) is one thing. The absent consideration of... well. The chance to dream fondly in brief hours of sleep about the content of several pieces of this conversation certainly makes it worthwhile.
But.
This is the beginning of properly poor decisions, spelled out with (infuriating non-ghost smileys!!) more than sufficient clarity to be properly understood.]
Archie.
[
Wait, that solves nothing.]
William, honestly.
[Yes. Good. Compellingly argued. They'll see reason now.]
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What?
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[Not that there is a good, safe time or place. Also not that the little '...' isn't still working furiously.]
I should imagine there must exist a half-measure in poor decision making which comes short of oceanic cliff pounding.
[Listen: this is the one time a half-measure makes sense.
Let it happen.
The half-measure. Not the shipboard sex. Obviously.]
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A fair point, Mr. Hornblower.
It's teasing and not hurt that brings about the return to the last name, clearly. C l e a r l y.
Well. I suppose I *am* open to alternative explorations that satisfy those conditions.
So maybe both half-measures and something like shipboard sex, perhaps?
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But.
Wouldn't this be the most useful lesson in making poor —
Bush's brow furrows. Is there really a need to continue on with this under the cover of such a silly thing? Whatever Horatio had intended for this conversation to be when he initiated it is all but a ghost now; what they've been left with is a truth Horatio can try to caution his way out of all he likes, but there's an impossibility in coming to un-know a piece of information.
And then comes Archie's reply, another set of words Bush reads a little too far into, thinking the man is scrambling for compromise in the name of satisfaction.
But it isn't just that, is it? The feeling in his chest answers that question like the clear ring of a bell and tells him what hasn't yet been literally spelled out. For Horatio's sake, maybe it should be.]
I don't think it's wise to take half-measures when dealing with feelings, Horatio.
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He's missed something, and that requires scrolling back up to scrutinize what he's missed--then, fairly quickly, gives up, because this isn't something he has a matter of hours to agonize over.
This, apparently, is a matter of emotions. More than that, this is a matter of Mr. Archie Kennedy and Mr. William Bush's emotions.
And that's as crucial, surely, as learning to read the wind before it changes. That requires the same actual, sharp attention as sighting before a long shot. It's not the sort of thing that comes in any way naturally to the twists and turns of his brain, but then neither had working the signal books at first.
Clipping a passing midshipman to send his compliments to Mr. Bush and will he please come here is easier than actually typing. Still, actually typing is almost certainly necessary.]
That being the case, I shouldn't think this the proper medium for addressing them, then.
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Well. This wasn't quite a conversation he was prepared to have just yet, but if it happens...
You two gentlemen do know where I'm at.
Alternatively.
Or I suppose I could meet you somewhere.
Maybe it will come to nothing. It might be nice, at least, to get it off his chest and have it aired out between them.
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That worked. He feels like his stomach's climbed its way into his throat as a result, but that worked, so it almost cancels out.]
Since you already suggested it, Archie, I think the lieutenant's quarters will do just fine. I'm on my way.
[It's ridiculous, this fluttering nervousness he's suddenly feeling. They're all on the same ship, for God's sake — he's not been far from the lieutenant's quarters this entire time, and Horatio could just be right around the corner.
But something about the closing in of proximity has triggered this response in him. He said it himself: context. Approaching either of them before came as naturally as breathing, but now, in light of this conversation...
William has to remind himself to breathe as he places one foot in front of the other.]
yes hello this is comment #69 /BLOWS KISSES
Beginning to put words to what it means when Archie's lips twitch or Bush's eyes crinkle, however, seems far beyond capacity.
And yet.
His feet are moving before he's fully finished reading the last sentence. There's William, just a few strides ahead of him. There's the promise that Archie is just beyond the next door. ]
--Mr. Bush. [His fingers catch briefly, entirely unconsciously, at the other man's elbow.] Mr. Kennedy--
[That's still where they start, isn't it? Even if they're about to lock themselves away for something he doesn't understand and doesn't trust will work, they have to start somewhere.]
beautiful :'|
"Horatio," he greets with a smile and only a touch of nerves for the uncertainty, "William. Perhaps it's best we block off the door before we begin any conversations?"
Or whatever else may occur, for that matter?
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He looks between the two of them, then nods without a word and moves to ensure they won't be interrupted by anyone barging in.
"That should do it."
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Horatio remembers, after all, this old lick of nerves in the corners of Archie's lips. The uncertainty blares out at an uncomfortable level, nearly to the point of finding he can't quite tell if the tension he feels at William's elbow is the other man's nerves or his own sharp tension.
His feet, at least, know how to move toward Archie. His mind stops him short of being unbearably close, barely masked by glancing back toward William at the door.
"Well, then."
Catching hold of the back of a chair might stop his hands from starting to shake with frustration. One can only hope.
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His own hands shuffle idly at a book and various other items left spread on the table; something to keep them busy so they don't visibly tremble.
"Have we need of-- further clarity on how things stand on my end?"
For once, there's not a trace of a jest in his voice; simply a hint of an edge as he studies the two men's faces with something rather like hope.
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There's also something reassuring in keeping his distance, for now. Let Horatio be the one to fall into Archie's gravitational pull first.
"I don't think so."
He lifts a hand to fuss at his collar, then drops it away, clasping both behind his back.
"I — I'm anticipating a passionate argument from Mr. Hornblower regarding the numerous reasons why this would be... not a poor decision, but one that would carry with it quite a lot of risk. He's free to make his case, and Heaven knows he has a way with persuasion, but should an opportunity arise in which we'd face considerable less risk, I would be willing. Because things on my end are, well, much the same as on Mr. Kennedy's."
Just minus the poetry of it all.
Cheeks going a little pink, he looks at Horatio, then at Archie.
"I... like you both very much."
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He wants to trust the flicker of hope in Archie's voice. He wants to believe the flush kissing William's cheeks. He wants to trust the flutter in the pit of his stomach to hear--not read, not glean, not surmise--that this (whatever 'this' properly is) is what they want.
But Archie is the 4th lieutenant. But William hadn't been on the Justinian a terrible lifetime ago.
For a moment, he can force himself to properly sharpen his features. With his eyes locked down on the table, he can force his lips into the wry smile he's perfected for his infrequent attempts at properly making jokes.
"It would seem Mr. Bush has spoken my piece for me." Self-deprecation always brings something properly amused to his tone, so he add absently, "And far more eloquently than I could hope to, I'm sure."
What can he do, after all, but repeat the prohibitions they already know? What can he say but words which have already been said a thousand times over (how many Sundays had they shared? how many more Sundays did they have?) and clearly disregarded enough to all be standing here in this room? What could he profess honestly, in the face of gentle, genuine emotion?
In a crisis, Horatio come to trust the odd elasticity of his own mind. It's not quite as easy as reading the motions of a deployment of ships, but there's the same keen quiet in his eyes and clear whirling of his thoughts through a thousand possibilities as he takes a breath. "It isn't--"
It's a mistake, he realizes too late, to glance up at William's face. It's a mistake to allow his gaze to flit back over Archie's features.
"It's--"
They look so close to happiness. For all the loss they've suffered, for all the sacrifices they've made, Archie Kennedy and William Bush look as if they might have struck on something that will give them peace.
And he'll ruin it.
Without ever further opening his mouth, he'll ruin it. He'll drag this glimmer of hope back down into the mess of reality. He'll throw death down in this quiet little room where the men he cares for more than he can say might have found meaning.
Horatio can't remember the last time his voice cracked and trembled as it does now, features furrowing as he ducks his head nearly to the point of pressing his chin to his chest. "If-- anything were to happen to-- either of you--"
There aren't words to follow. There isn't breath in his lungs for them, but they also simply aren't there.
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Because of course that would be Horatio's concern. Of course, dear man that he is, he'd deny himself this gift out of some misguided attempt at preserving their safety.
Not, of course, that Archie isn't concerned with exactly that. It's just that after the life he's lived-- after the hurt and the shame and the deprivation-- it's impossible for him not to take tight hold and keep what he can.
(Besides, he knows intimately how men turn a blind eye. Even on this ship, there were some things people chose not to see-- and, if all else failed, his own reputation to tarnish and his own neck to offer.
For now, though, William's eyes give him hope, and Horatio's make him brave.)
"And-- you're right. We'd have to be careful, and maybe-- not here, or at least not much, but-- Please." His voice is soft as his gaze drifts with a briefly apologetic smile from William to Horatio. There are older ghosts here than the second lieutenant yet knows, "Horatio, haven't we sacrificed enough for the navy? Hasn't enough been taken from-- from us? Isn't there-- one good thing we can keep for ourselves?"
And then, steady, his eyes turning to William welcomingly (he is not forgotten; not a third wheel but another point on this triangle,) "It's worth it to me, for that chance. You both are."
Although-- and, importantly, his gaze dropping a little nervously as he adds, "If you-- wished it, at any rate."
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They could die any day, any of them, all of them. To William's mind, that's even more a reason to seize what precious time they have; then again, if this is the sort of thing that might invite danger — and much as men choose not to see certain things here and, sometimes, even on shore, that's not true of all men — then they may be hastening an unpleasant fate.
Maybe not death, but something that may be equally terrifying. Maybe not in Archie's eyes, nor in William's, but in Horatio's, certainly.
Because the thing is, dedicated as they all are to the cause and the crown, our of the three of them, Horatio's passion burns brightest. Horatio's identity is knotted up entirely in his role not just as an officer, but a sailor, period. That's what he is first, above all else. That's his priority, that's how he thinks, that's... what holds his heart most firmly. William knows this. William has, perhaps, already made his peace with it — this knowledge that Horatio could never give himself up entirely to him or to Archie, or to the both of them in some configuration.
After all, this isn't the first time he's had such thoughts. It's just the first time he's surrendering them to the air.
And he's finding that as he speaks, his thoughts — and feelings — clarify themselves further.
To Horatio, though his attention flickers to Archie briefly as he speaks: "I understand the worry. I'd be a fool if I didn't, hardly fit for service." What he doesn't say is such an attitude would be suicidal, but he thinks it, and it sits in his head like a cold weight. "But Archie and I are of the same mind. What if something happens to us with this not acted upon? Wouldn't that be worse?"
Wouldn't it be worse to die with that regret hanging like a shadow on their hearts?
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(What would it be, to give in to that piece of himself? What would it cost, to catch hold of what was being offered so freely and selflessly?)
He tries to speak, attention flitting with the rankle of a cornered animal between the other lieutenants, but words fail him--as they always have.
(What would it be to see Archie happy and relaxed? What would it be to see William comfortable and elated?)
The shake of his head brings him back to himself enough to snap his mouth shut again. A better man would have responded by now. A better man (a man more deserving of this offer of trust and affection) would have at least sorted out what the tangled mess in his mind meant.
The two of them are of the same mind. The two of them are strong and certain. The two of them had managed to speak aloud the profession he hadn't yet been able to articulate.
He can't even answer a simple question.
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Perhaps they'd misread. Perhaps Horatio didn't want--
But surely he and William can't be so wrong. He can't help the glance towards the second lieutenant, seeking a sense of certainty, before he moves forward in the conversation again.
"'ratio--" His voice trembles just slightly, and he frowns all the further at the momentary weakness in his tone, "Just-- for my sake, and you don't-- even need to actually say the words, but just-- If the rules weren't in our way, would you-- want this?"
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gay.
bro.