Archie Kennedy (
betteralready) wrote2017-01-25 07:07 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Entry tags:
i am one of them | Reslife/LEMUR crossover
Archie tries to tell Horatio not to come.
He tries to tell Horatio not to come; knows that it will be too much, with the French and the gunshots and the quiet longing his role requires. Only relents (still reluctantly) when Edgar confirms he'll be going as well.
(Elliot tries to tell Edgar not to come, either, but he doesn't mean it-- never could-- the way Archie did. Loathe though he is to admit it, he's always going to want Edgar there-- and is likely always going to be surprised, still, when he shows.)
It's still one of the hardest performances he's ever done, knowing his boyfriend is sitting in the audience watching the obvious heartache. Archie has to breathe through the quiet panic of his own, when the young woman playing Éponine comes in covered in blood; notices a tremble in Elliot's hands. The tears in his eyes (and Elliot's, he notes) are real when they press their foreheads together as the quiet desperation takes hold in the play.
He tries as hard as he possibly can to look nothing like himself, in the scene where they die. Tries to look all gloom and despair and not sacrifice. More like a man brought half-unwillingly to the gallows and not like one who stepped up to the noose himself.
(Elliot, in rehearsals, had aimed for the opposite. Aimed to look more like himself so that it wouldn't hurt Edgar to see, because this was realer for the both of them than it was for even Archie and Horatio. And so Archie had held his tongue about how better to look like a man willing to die for something so much bigger than himself-- of a man who walked almost blindly into the range of bullets to protect what he loved more than life itself.
Neither of them quite manage, entirely, to achieve the image they're aiming for.)
They stand atop the false barricade and get shot while hand-in-hand. They'd almost had a fight with the director about it, but Elliot couldn't face this echo of his death without a hand in his and Archie, well--
(--He'll never tell Horatio, because it will kill the man certain sure, but there's something nice about the idea of having someone hold your hand while you're dying. He doesn't begrudge his boyfriend the way things had ended, but that's the one thing he'd wanted that he hadn't gotten, when he'd died the first time.)
They arrange to meet, all four of them, once most of the crowd has thinned, because they know it's not going to be an easy reunion. Thankfully, they're alone when they exit the stage door. Elliot steps towards Edgar with a hint of nervous uncertainty, his hand already offered out to be held. Archie shifts his attention instantly to give them some privacy; tuning out the quiet murmurs of French that reach his ears as he moves to Horatio.
He doesn't think twice about catching at Horatio's hand and bringing it up to his chest in the old, unfortunately familiar way. He'd brought a white shirt to change into after exactly so Horatio could see the utter lack of blood.
"I'm not hurt," he murmurs in lieu of a proper greeting, "'nd I love you."
He tries to tell Horatio not to come; knows that it will be too much, with the French and the gunshots and the quiet longing his role requires. Only relents (still reluctantly) when Edgar confirms he'll be going as well.
(Elliot tries to tell Edgar not to come, either, but he doesn't mean it-- never could-- the way Archie did. Loathe though he is to admit it, he's always going to want Edgar there-- and is likely always going to be surprised, still, when he shows.)
It's still one of the hardest performances he's ever done, knowing his boyfriend is sitting in the audience watching the obvious heartache. Archie has to breathe through the quiet panic of his own, when the young woman playing Éponine comes in covered in blood; notices a tremble in Elliot's hands. The tears in his eyes (and Elliot's, he notes) are real when they press their foreheads together as the quiet desperation takes hold in the play.
He tries as hard as he possibly can to look nothing like himself, in the scene where they die. Tries to look all gloom and despair and not sacrifice. More like a man brought half-unwillingly to the gallows and not like one who stepped up to the noose himself.
(Elliot, in rehearsals, had aimed for the opposite. Aimed to look more like himself so that it wouldn't hurt Edgar to see, because this was realer for the both of them than it was for even Archie and Horatio. And so Archie had held his tongue about how better to look like a man willing to die for something so much bigger than himself-- of a man who walked almost blindly into the range of bullets to protect what he loved more than life itself.
Neither of them quite manage, entirely, to achieve the image they're aiming for.)
They stand atop the false barricade and get shot while hand-in-hand. They'd almost had a fight with the director about it, but Elliot couldn't face this echo of his death without a hand in his and Archie, well--
(--He'll never tell Horatio, because it will kill the man certain sure, but there's something nice about the idea of having someone hold your hand while you're dying. He doesn't begrudge his boyfriend the way things had ended, but that's the one thing he'd wanted that he hadn't gotten, when he'd died the first time.)
They arrange to meet, all four of them, once most of the crowd has thinned, because they know it's not going to be an easy reunion. Thankfully, they're alone when they exit the stage door. Elliot steps towards Edgar with a hint of nervous uncertainty, his hand already offered out to be held. Archie shifts his attention instantly to give them some privacy; tuning out the quiet murmurs of French that reach his ears as he moves to Horatio.
He doesn't think twice about catching at Horatio's hand and bringing it up to his chest in the old, unfortunately familiar way. He'd brought a white shirt to change into after exactly so Horatio could see the utter lack of blood.
"I'm not hurt," he murmurs in lieu of a proper greeting, "'nd I love you."
no subject
Horatio and Edgar sit apart from their other friends, carefully surrounded by strangers who won't pay them any mind at all. The tension that sets into Edgar's body come almost immediately, breath careful and fingers twitching to hold a little too firmly to the armrest between them. It's easy to feel distant, at first, with the much more obvious discomfort settling into Edgar's limbs. Yes, there's something dull and painful about watching Archie's eyes drift longingly after someone with the sun too much in their eyes to understand what a gift they had been given. Yes, it's like a magnet to keep his attention flitting against discomfort over his boyfriend's features, so oddly familiar with this second chance at examining their first life together.
It feels almost safe, reaching over to smooth protectively at the back of Edgar's hand. It feels almost like certainty that he'll make it through this entire ordeal--even with the French, even with the threat of violence, even with the hauntingly familiar look in Archie's features.
Then Éponine's coat is pulled open, and Horatio feels the world fall out from under him.
He isn't sure when his and Edgar's hands got so fully intertwined, blunt nails digging into one another's flesh without any sense of reality. He isn't sure whether the waves of nausea actually stopped or he simply became accustomed to them all over again. A piece of him is aware of the soft, gutted noise that escapes his friend's lips as Elliot and Archie link hands. A piece of him is aware of the tears pricking his own eyes when Archie's body crumples.
They manage to stand with the rest of the crowd in the roaring ovation, but just barely. They don't quite manage to let go of the support of having another hand in their own until they've found the quiet little hall where they're meant to meet the most important men in their lives.
Most of the time, Horatio doesn't mind the soft sound of French brushing his ears. Today, it sends a new wave of sickness through him to hear even faintly across the hall before all of his attention can be thrown into Archie properly.
His fingers at Archie's chest clutch and stretch unhappily. His other hand lifts to smooth uselessly at the young actor's cheek, still half-panicked in the frenetic motion.
"I love you." It feels like years since he'd last said it. "You-- were crying."
no subject
"Yeah," he agrees with the second statement, the words coming out on a huff of air rather like a bitter laugh, "'t was-- hard."
no subject
The right words are at the edge of the fuzziness in his mind. He wants to compliment the performance. He wants to explain how moving, how real, how truly amazing he found each and every one of the other young man's performances had always been and continued to be.
"You're all right now?"
It had been fiction. It hadn't even been fiction based on what they had actually lived through.
His fingers are still twitching nervously over the smooth expanse of Archie's skin, at the absolute lack of a gaping hole in his boyfriend's chest.
no subject
"Tired," he admits softly, "But 'm-- okay."
It's better, now that he's with him.
no subject
"We should-- get you home."
They're supposed to go out for drinks, he knows. They're supposed to spend a little time with their two friends who had just been through their own version of this terrible hell.
He's not sure he'll be able to let go of clinging exactly like this until morning, is the thing.
no subject
"That'd be nice," comes the quiet confession, "Just-- worried about Elliot. We should-- at least check in."
Maybe not right now, though. He needs to linger here a little longer.
no subject
It's part of what he loves--what he's always loved. It's just much easier to be nervous about that selflessness, at the moment.
"If you're sure, Archie." His fingers on his boyfriend's cheek shift delicately, reaching now to catch carefully at the back of the other young man's neck. "If that's honestly what you want."
no subject
"'s at least say goodbye properly. Maybe-- plan to meet up, later."
Not tonight, though. Tonight, he needs to stay tucked in close to his boyfriend.
no subject
Anything would be, really, so long as they were allowed to keep clinging tight like this. Thinking straight has been, slowly but surely, getting easier as well.
"You-- were brilliant, by the way."
no subject
"Yeah? Thank you. --You really didn't have to come."
no subject
"You said, but-- you know that's not true, don't you?"
The past couldn't rule them, this time around.
no subject
"I suppose you're right."
no subject
He hadn't fully appreciated how carefully Archie had been keeping this from him. He hadn't fully understood what it must have been like for Archie to come here every day, to throw himself into this world and something not so actually terribly far off from an ancient pain.
"The least I could do was-- show up."
no subject
"'m glad you're here."
It's so much nicer than dragging himself all the way home for the genuine comfort of his presence.
no subject
It's important to affirm. It hadn't been spoken properly through so many years of being true. It hadn't been allowed to be real between them nearly enough, even this time around.
"Archie, I don't-- want to be anywhere else."
Even through the hurt. Even through the discomfort.
no subject
It's such a relief to be able to say.
"And-- I know."
He knows how much Horatio wants to be here. Knows there's nowhere else he'd rather be-- except maybe the sea. But Archie can forgive him that. He's here now.
no subject
"And this-- is where you are."
This sort of torture is much easier than the incredible pain of being unable to love one another properly.
no subject
So much better, to be with one another properly.
no subject
They'll have to keep close, of course. He's not sure he'll be able to do anything but keep an arm protective and snug around his boyfriend for the rest of the night.
"We are. Not going anywhere."
no subject
Because he really is getting tired. He can stand to (wants to) stay clinging close here just a little longer, but he is going to have to give in and head home. They're going to have to swing by and plan their goodbyes with Edgar and Elliot.
no subject
They'll have to find the balance again. They'll have to find the equilibrium between caring for this fresh searing in his own heart and the long pain Archie had been carrying. For now, he's fairly certain they can start with their energy focused on the man who had just lived more fully through the onslaught of memories.
"We'll-- reschedule drinks, hm?"
no subject
"Yeah. 's-- a good idea."
no subject
The last few hours weren't real. The last few hours couldn't actually hurt them--wouldn't actually take either of them away.
"They'll be all right."
no subject
It's easier to agree, feeling more steadily like this. It's easier to see things more clearly, with Horatio kissing him again.
"And so will we."
no subject
Even if they have to walk clung tight together for a while. Even if they'll be sleeping with his cheek pressed firm against Archie's chest for the next few nights. Even if there would be a bit of stumbling now and then.
"Let's go home, then."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)